Index of /coursework/GCSE/Art

[ICO]NameLast modifiedSizeDescription
[PARENTDIR]Parent Directory  -  
[ ]Analysis-;On-The-Europe-Bridge-;-a-painting-by-Gustave-Caillebotte.pdf2009-02-21 13:06 2.1K 
[ ]Impressionism.pdf2009-02-21 13:44 2.1K 
[ ]John-Singer-Sargent.pdf2009-02-21 13:49 2.1K 
[ ]hgf.pdf2009-02-21 10:22 6.9K 
[ ]Acanthus-Spinossimus-by-Joan-Charnley.pdf2009-02-21 13:04 11K 
[ ]At-the-beginning-of-term-I-started-a-project-titled-multicultural-art-this-has-been-studying-art-from-around-the-world.-To-start-the-project-I-completed-many-observational-drawing-of-artefacts.pdf2009-02-21 13:14 12K 
[ ]What-factors-led-to-improvment-in-the-Renassiance.pdf2009-02-21 20:15 13K 
[ ]Toral:-30-Years-of-Painting.pdf2009-02-21 20:08 13K 
[ ]Toral_-30-Years-of-Painting.pdf2009-02-21 20:08 13K 
[ ]Critical-Study-The-Tree-Frog-by-Robert-Rauschenberg.pdf2009-02-21 13:24 13K 
[ ]Evaluation-on-Il-n'y-a-plus-de-firmament.pdf2009-02-21 13:33 13K 
[ ]Concept-Art.docx2012-08-15 10:07 14K 
[ ]Claude-Monet.pdf2009-02-21 13:16 15K 
[ ]During-the-mid-nineteenth-century-many-female-poets-including-Christina-Rossetti-seemed-to-lean-upon-the-dark-side-of-life-presenting-very-dark-and-shadowed-emotions-within-their-poetry.-Yet-this-is-not-to-say-that-they-were-depressed-but-in-many-ways.pdf2009-02-21 13:31 15K 
[ ]Analysis-of-Abstract-Art.pdf2009-02-21 13:07 15K 
[ ]Art-Evaluation-For-Study-of-Da-Vinci.pdf2009-02-21 10:14 16K 
[ ]Self-Assessment-of-GCSE-AR.pdf2011-07-06 20:21 16K 
[ ]Francis-Bacon.pdf2009-02-21 13:35 16K 
[ ]Pre-Raphaelite-Brotherhood.pdf2009-02-21 14:04 16K 
[ ]Source-A-is-a-contemporary-painting-by-the-official-war-artist-Charles-Cundall.-It-was-painted-at-the-time.pdf2009-02-21 14:15 16K 
[ ]Ca.pdf2009-02-21 10:16 17K 
[ ]Aesop-(based-on-Velazquez)-by-Goya.pdf2009-02-21 13:04 18K 
[ ]With-reference-to-specific-visual-art-works-explain-how-visual-artists-have-transmitted-the-values-and-beliefs-of-the-society-in-which-they-lived..pdf2009-02-21 13:01 18K 
[ ]Frontline-uses-the-relationship-between-physical-setting-and-dance-content-to-great-effect;-compare-this-relationship-to-4-other-professional-works-you-have-studied.pdf2009-02-21 10:20 20K 
[ ]'Surrealism'.pdf2009-02-21 13:01 20K 
[ ]Good-morning-I-am-Leonardo-da-Vinci-one-of-the-great-masters-of-the-Renaissance-as-I-was-a-painter-sculptor-architect-engineer-and-scientist.-I-was-born-on-April-fifteen-1452.pdf2009-02-21 13:37 20K 
[ ]Commentary-on-One-Art.pdf2009-02-21 13:18 20K 
[ ]Describe-and-explain-the-religious-symbolism-in-ONE-different-piece-of-art-music-or-literature-The-Adoration-of-the-Kings-by-Jan-Gossaert.pdf2009-02-21 13:27 21K 
[ ]Sarah-Lucas-is-notoriously-known-as-the-bad-girl-of-Brit-Art.pdf2009-02-21 14:12 21K 
[ ]The-later-colonial-artists-William-Piguenit-Nicholas-Chevalier-and-Eugene-von-Guerard-differ-somewhat-to-those-before.-Explain-what-the-difference-was-and-what-influenced-those-differences..pdf2009-02-21 13:00 22K 
[ ]Weeping-woman-by-Picasso.pdf2009-02-21 20:13 23K 
[ ]Examine-the-significance-of-the-portrait-in.pdf2009-02-21 13:33 23K 
[ ]This-piece-of-painting-is-called-'La-Tour-Eiffel'-which-was-produced-in-1889-by-a-french-artist-called-Seurat.pdf2009-02-21 20:06 24K 
[ ]I-decided-to-base-my-project-upon-flowers.pdf2009-02-21 13:42 24K 
[ ]An-Introduction-to-Cubism.pdf2009-02-21 10:11 25K 
[ ]Picasso-Pablo-(1881-1973).pdf2009-02-21 14:02 25K 
[ ]Georges-Braque-and-Paul-C-eacute;zanne-Contrasting-Essay.pdf2009-02-21 13:36 25K 
[ ]monk.pdf2009-02-21 10:24 26K 
[ ]Leonardo-Da-Vinci.pdf2009-02-21 13:50 26K 
[ ]Frida-Kahlo's-life-was-one-marked-by-extreme-suffering-extreme-heroism-and-extreme-genius.pdf2009-02-21 13:35 26K 
[ ]'View-From-My-Window'-by-Camille-Pissarro.pdf2009-02-21 13:02 27K 
[ ]Compare-and-contrast-the-northern-with-the-Italian-renaissance.pdf2009-02-21 13:18 27K 
[ ]Comparing-Masacio's-Holy-Trinity-and-Jan-Van-Eyck's-Arnolfini-Marriage.pdf2009-02-21 13:21 27K 
[ ]Contemporary-Realism.pdf2009-02-21 13:22 27K 
[ ]Mesopotamian-Art-vs.-Egyptian-Art.pdf2009-02-21 10:24 27K 
[ ]starting-digital-photography.pdf2009-02-21 14:16 28K 
[ ]I-like-the-soft-tone-that-fabric-creates.-I-chose-a-piece-of-corduroy-and-folded-it-into-a-U-shape.pdf2009-02-21 13:43 28K 
[ ]Describe-and-explain-the-religious-symbolism-in-ONE-piece-of-art-music-or-literature-The-Annunciation-with-Saint-Emidius-by-Carlo-Crivelli.pdf2009-02-21 13:27 28K 
[ ]Diego-Rivera.pdf2009-02-21 13:29 28K 
[ ]About-Franz-Marc.pdf2009-02-21 13:03 28K 
[ ]Influences-on-renaissance-art.pdf2009-02-21 13:46 29K 
[ ]Is-the-photograph-(Source-15)-likely-to-be-a-more-reliable-source-of-evidence-about-life-on-the-canals-than-the-painting-(source16).pdf2009-02-21 13:49 29K 
[ ]African-Art.pdf2009-02-21 13:05 29K 
[ ]Review-of-the-self-portrait-by-Thomas-Hart-Benton.pdf2009-02-21 14:06 29K 
[ ]Oscar-Claude-Monet.pdf2009-02-21 13:56 30K 
[ ]Life-and-influences-Vincent-Van-Gogh.pdf2009-02-21 13:52 30K 
[ ]How-accurate-is-this-painting-as-an-interpretation-of-the-Great-Hall-during-the-Middle-Ages.pdf2009-02-21 13:40 30K 
[ ]A-Woman-Pouring-Milk.pdf2009-02-21 20:20 30K 
[ ]Wassily-Kandinsky.pdf2009-02-21 20:12 30K 
[ ]Expanded-Programme-Note.pdf2009-02-21 10:20 31K 
[ ]'The-arts-are-the-best-way-of-expressing-religious-ideas.'.pdf2009-02-21 13:01 31K 
[ ]In-1930-1935-Max-Dupain-created-a-black-and-white-photograph-titled-Eggs..pdf2009-02-21 13:44 32K 
[ ]Artist-Wassily-Kandinsky.pdf2009-02-21 13:12 32K 
[ ]Anna-Frank.pdf2009-02-21 10:13 32K 
[ ]Analysis-of-Rembrandt-Joseph-Accused-by-Potiphars-wife-Essay.pdf2009-02-21 13:07 32K 
[ ]What-is-the-Use-of-Art.pdf2009-02-21 20:16 33K 
[ ]Why-did-the-Renaissance-start-in-Italy-during-the-15th-century.pdf2009-02-21 20:18 33K 
[ ]What-do-we-mean-when-we-speak-of-religious-art.pdf2009-02-21 20:14 33K 
[ ]History-Never-Repeats.pdf2009-02-21 13:38 33K 
[ ]Realism-and-Impressionism.pdf2009-02-21 14:04 34K 
[ ]THREE-FIGURES-IN-A-ROOM.pdf2009-02-21 20:06 34K 
[ ]A-painting-of-Nelson-Mandela.pdf2009-02-21 13:03 34K 
[ ]An-Interview-with-Leonardo-Da-Vinci.pdf2009-02-21 13:05 34K 
[ ]Paul-CezanneHe-was-born-in-Aix-en-Provence-on-January-10th-1839-into-a-middle-class-family-and-took-a-classical-course-of-studies.pdf2009-02-21 14:00 35K 
[ ]Still-Life-Painting-Unit.pdf2009-02-21 14:17 36K 
[ ]What-in-your-view-is-realistic-in-the-paintings-by-the-realist-artists-In-your-answer-refer-to-at-least-three-different-paintings.pdf2009-02-21 20:17 36K 
[ ]A-Picture-is-(Literally)-Worth-a-Thousand-Words:-Memorable-Family-Moments-Caught-by-Photography.pdf2009-02-21 13:03 36K 
[ ]A-Picture-is-(Literally)-Worth-a-Thousand-Words_-Memorable-Family-Moments-Caught-by-Photography.pdf2009-02-21 13:03 36K 
[ ]Discuss-the-typical-characteristics-of-impressionism-with-reference-to-a-range-of-works.pdf2009-02-21 13:30 37K 
[ ]Critical-Analysis-of-Nighthawks-Edward-Hopper.pdf2009-02-21 13:23 37K 
[ ]Chinese-Culture.pdf2009-02-21 13:16 37K 
[ ]David-Hockney.pdf2009-02-21 10:17 38K 
[ ]Ancient-Art-WADJET.pdf2009-02-21 13:08 38K 
[ ]Characteristics-of-Romanticism-in-the-History-of-Art.pdf2009-02-21 13:15 39K 
[ ]Works-of-Picasso-which-are-influenced-by-masks.pdf2009-02-21 20:19 39K 
[ ]Cezanne-Lowry-and-Landscapes.pdf2009-02-21 13:15 39K 
[ ]David-is-a-large-sculpture-measuring-13-5high-and-is-a-sculpture-of-marble.-Michelangelo's-sculptures-were-often-larger-than-life.pdf2009-02-21 13:26 39K 
[ ]Andreas-Gursky.pdf2009-02-21 13:08 39K 
[ ]We-are-more-likely-to-be-mistaken-in-our-generalization-than-in-our-particular-observations-Do-you-agree.pdf2009-02-21 20:13 40K 
[ ]Henri-de-Toulouse-Lautrec.pdf2009-02-21 13:37 40K 
[ ]Great-Artists-Renoir.pdf2009-02-21 13:37 40K 
[ ]History-of-Art-What-Are-The-Key-Characteristics-Of-Impressionism.pdf2009-02-21 13:39 40K 
[ ]Pablo-Picasso's-Guernica-is-at-once-the-most-monumental-and-comprehensive-statement-of-social-realism-and-dramatic-manifesto-against-the-brutality-of-war.pdf2009-02-21 13:57 40K 
[ ]Paul-Cézanne.pdf2009-02-21 13:59 40K 
[ ]In-the-improvisation-module-my-group-were-given-two-texts-'The-family'-a-painting-by-Paula-Rego-and-the-story-of-John-Tanner-and-Rachel-Mclean.pdf2009-02-21 13:45 40K 
[ ]Ancient-Art.pdf2009-02-21 13:08 40K 
[ ]Paul-Cezanne-who-was-the-son-of-a-wealthy-banker-became-a-painter-in-the-1860s-in-Paris-when-he-quit-his-studies-of-Law.pdf2009-02-21 13:59 41K 
[ ]Study-into-how-Monet-Klimt-have-approached-natural-landscapes.pdf2009-02-21 14:18 43K 
[ ]drama.pdf2009-02-21 10:19 43K 
[ ]Salvador-Domingo-Felipe-Jacinto-Dalí-Domènech.pdf2009-02-21 14:12 44K 
[ ]History-of-portraiture.pdf2009-02-21 13:39 44K 
[ ]What-distinguished-Claude-Monet's-painting-styles-from-other-painters'-styles-in-the-Monet-time-period.pdf2009-02-21 20:14 44K 
[ ]What-are-the-principle-characteristics-of-Florentine-painting-as-reflected-in-the-works-of-Masaccio-With-reference-to-at-least-3-specific-examples.pdf2009-02-21 20:13 45K 
[ ]Discuss-the-work-of-two-still-life-painters-from-different-periods-referring-to-specific-examples-of-their-work.pdf2009-02-21 13:30 45K 
[ ]Artists-express-their-personal-experiences-social-values-and-cultural-beliefs-through-a-number-of-different-mediums.pdf2009-02-21 13:13 45K 
[ ]M.C.Escher.pdf2009-02-21 13:52 45K 
[ ]Art-Movements.pdf2009-02-21 13:11 45K 
[ ]An-Introduction-to-Experimental-Photography.pdf2009-02-21 10:12 46K 
[ ]Frank-Auerbach.pdf2009-02-21 13:35 46K 
[ ]I-have-decided-to-contrast-and-compare-paintings-by-cubist-artist-Pablo-Picasso-and-contemporary-artist-Alberto-Morrocco.pdf2009-02-21 13:42 47K 
[ ]When-I-first-look-at-the-Mona-Lisa-I-notice-the-intriguing-look-that-is-on-her-face.-The-expression.pdf2009-02-21 20:17 47K 
[ ]The-arts-deal-in-the-particular-the-individual-and-the-personal-while-the-sciences-deal-in-the-general-the-universal-and-the-collective.-To-what-extent-does-this-statement-obscure-both-Areas-of-Knowledge.pdf2009-02-21 13:00 47K 
[ ]Analysis-of-a-Painting-by-Famous-Artists-Caillebotte-Gustave.pdf2009-02-21 13:07 47K 
[ ]Pandoras-Box:-Have-Postmodern-Artists-Gone-too-Far.pdf2009-02-21 13:58 48K 
[ ]Pandoras-Box_-Have-Postmodern-Artists-Gone-too-Far.pdf2009-02-21 13:58 48K 
[ ]Composition-with-red-yellow-and-blue-composed-by-Piet-Mondrian-from-1937-1942-possesses-a-sense-of-simplicity-whilst-simultaneously-comprises-of-complexity.pdf2009-02-21 13:22 48K 
[ ]History-of-Art-Post-Impressionism.pdf2009-02-21 13:39 48K 
[ ]How-did-Brett-Whiteley-portray-the-body.pdf2009-02-21 13:40 49K 
[ ]Rogier-van-der-Weyden's-The-Descent-from-the-Cross.pdf2009-02-21 14:07 49K 
[ ]Art-Evaluation.pdf2009-02-21 13:10 50K 
[ ]Developments-of-Cubism-with-reference-to-Picasso.pdf2009-02-21 13:28 53K 
[ ]African-Art-and-Architecture.pdf2009-02-21 13:04 53K 
[ ]Develpment-in-the-History-of-Photography.pdf2009-02-21 10:18 53K 
[ ]Explore-the-extent-to-which-Fra’-Angelico’s-work-engages-with-new-issues-in-pictorial-representation-How-can-he-be-seen-to-develop-his-own-aesthetic-sensibility.pdf2009-02-21 13:34 54K 
[ ]Egyptian-Exhibit-at-the-Metropolitan-Museum-of-Art.pdf2009-02-21 13:32 54K 
[ ]Intimare-Pieter-Lastman's-painting-Paris-and-Oenone-depicts-the-mythological-story-of-Paris.-Yeats'-Leda-and-the-Swan.pdf2009-02-21 13:49 55K 
[ ]Georges-Pierre-Seurat.pdf2009-02-21 13:36 55K 
[ ]How-did-the-fashions-of-the-1900's-to-the-1930's-reflect-Modernist-theories.pdf2009-02-21 13:40 56K 
[ ]Review-of-Mexico-Illuminated.pdf2009-02-21 14:06 56K 
[ ]Impressionism-is-the-movement-in-painting-that-was-developed-in-the-late-19th-century-in-France.-It-was-the-result-of-the-reaction-to-the-formalism-and-sentimentality-that-were-characterized-by-academic.pdf2009-02-21 13:43 58K 
[ ]History-Coursework-Pickering-Castle.pdf2009-02-21 13:38 58K 
[ ]Steinberg-and-the-Attention-to-Detail.pdf2009-02-21 14:16 59K 
[ ]Cubism-is-an-art-period-that-followed-after-the-art-period-Fauvism.-Cubism-is-one-of-the-most-influential-art-movements-of-the-twentieth-century.-It-was-begun-by-Pablo-Picasso-and-Georges-Braque-by-Cezanne's-influence-in-1907.pdf2009-02-21 13:25 59K 
[ ]Art-Research-Peter-Randall-Page.pdf2009-02-21 13:12 62K 
[ ]David's-Depiction-of-The-Death-of-Marat.pdf2009-02-21 13:26 62K 
[ ]Creativity-is-the-ability-to-be-original.pdf2009-02-21 13:23 62K 
[ ]Starry-Night-at-St.-Remy.pdf2009-02-21 14:15 62K 
[ ]Pablo-Picasso.pdf2011-07-05 08:44 63K 
[ ]Bourty.pdf2009-02-21 10:16 64K 
[ ]Explore-the-relationship-between-painting-and-photography-in-the-work-of-David-Hockney-David-Hockey-is-one-of-the-legends-of-the-art-world.-His-interest-in-all-mediums-of-art.pdf2009-02-21 13:34 65K 
[ ]Steinberg's-Detail.pdf2009-02-21 14:17 66K 
[ ]One-Art.pdf2009-02-21 13:56 66K 
[ ]Claude-Monet-Biography-1840-1926.pdf2009-02-21 13:17 68K 
[ ]Artist-research-into-Tom-Blacwell's-'Hudson-river-landscape'.pdf2009-02-21 10:16 69K 
[ ]artist-research-into-Tom-Blackwell.pdf2009-02-21 10:15 69K 
[ ]Why-and-How-have-later-authors-and-artists-been-so-strongly-influenced-by-Ovid's-Metamorphoses.pdf2009-02-21 20:18 72K 
[ ]Analysing-Salvador-Dali's-Galatea-of-spheres-1952.pdf2009-02-21 13:06 72K 
[ ]Under-Eighteens-Disco.pdf2009-02-21 10:19 73K 
[ ]Personal-Art-Evaluation.pdf2009-02-21 14:01 74K 
[ ]Renoir.pdf2009-02-21 14:05 75K 
[ ]Discuss-the-ideas-about-the-responsibilities-of-the-individual-that-these-three-examples-might-be-used-to-illustrate.pdf2009-02-21 13:29 77K 
[ ]Richard-Deacon-was-born-in-Bangor-Wales-in-1949.pdf2009-02-21 14:07 77K 
[ ]Paris-sous-la-Pluie.pdf2009-02-21 13:58 79K 
[ ]To-what-extent-do-you-find-the-influence-of-Rousseau's-views-on-the-relationship-between-the-state-and-the-individual-in-David's-painting-The-Oath-of-the-Horatii.pdf2009-02-21 20:08 80K 
[ ]Marcel-Duchamp-is-considered-as-one-of-the-most-influential-artists-of-the-20th-Century-by-the-modern-art-world.pdf2009-02-21 13:52 81K 
[ ]Waltons-View-on-Photography.pdf2009-02-21 20:12 82K 
[ ]Perception-in-Art-and-Science.pdf2009-02-21 14:00 82K 
[ ]I-have-been-studying-portraiture-by-looking-at-the-work-of-two-well-known-artists-Pablo-Picasso-and-Amadeo-Modigliani.pdf2009-02-21 13:42 82K 
[ ]Cubism2.pdf2009-02-21 13:25 84K 
[ ]Nihilism-in-Turgenev's-Fathers-and-Sons-has-several-characters-that-hold-strong-views-of-the-world.pdf2009-02-21 13:56 86K 
[ ]19th-Century-Educational-Cultural-and-Intellectual-Developments-in-Europe-the-arts.pdf2009-02-21 13:02 87K 
[ ]art-coursework-art-nouveau.pdf2009-02-21 10:14 89K 
[ ]Life-work-of-Japanese-artist-Hosoda-Eishi.pdf2009-02-21 13:51 89K 
[ ]Critical-Analysis-of.pdf2009-02-21 13:23 89K 
[ ]Vincent-Van-Gogh:-Early-Years.pdf2009-02-21 20:11 90K 
[ ]Vincent-Van-Gogh_-Early-Years.pdf2009-02-21 20:11 90K 
[ ]Picasso's-Guernica.pdf2009-02-21 14:02 92K 
[ ]Mear-Ockerman.pdf2009-02-21 10:24 92K 
[ ]Claude-Monet-was-arguably-the-most-influential-painter-of-the-Impressionist-movement;-even-the-word-impressionism-comes-from-one-of-Monet's.pdf2009-02-21 13:17 93K 
[ ]The-Renaissance-Is-An-Important-Landmark-In-The-History-Of-Art-But-In-Other-Respects-It's-Significance-Is-Negligible.-Discuss.pdf2009-02-21 13:00 93K 
[ ]Vincent-van-Gogh.pdf2009-02-21 20:10 95K 
[ ]Essays-on-the-following-artists;-Albrecht-Durer-Fransisco-Jose-de-GoyaLucentes-Peter-Carl-Faberge-Edward-Gorey-Charles-Vess-and-H.R.Giger.pdf2009-02-21 13:33 96K 
[ ]Portraits-through-the-ages.pdf2009-02-21 14:03 98K 
[ ]Reason-and-Imagination.pdf2009-02-21 14:04 98K 
[ ]artist-research-into-Brendan-neiland.pdf2009-02-21 10:15 99K 
[ ]Geniuses-don't-work-together-Michelangelo-vs.-Leonardo.pdf2009-02-21 12:59 100K 
[ ]Pablo-Picasso's-works-featuring:-The-Old-Guitarist.pdf2009-02-21 13:57 101K 
[ ]Pablo-Picasso's-works-featuring_-The-Old-Guitarist.pdf2009-02-21 13:57 101K 
[ ]freud-lucian-1922-germanborn-british-painter.pdf2012-07-25 09:10 102K 
[ ]Describe-a-recent-film-by-a-contemporary-director-What-is-specific-about-his-or-her-style.pdf2009-02-21 10:18 104K 
[ ]Discuss-the-merits-of-Burgin's-statement-as-a-basis-on-which-to-distinguish-postmodernism-from-Modernism-in-the-practice-of-art.pdf2009-02-21 13:30 104K 
[ ]Le-Potager-De-Pissarro-Pontoise-(Pissaro's-Vegetable-Garden-Pontoise)-by-Paul-Cezanne.pdf2009-02-21 13:50 104K 
[ ]Girl-With-a-Pearl-Earring-Tracy-Chevalier.pdf2009-02-21 12:59 105K 
[ ]Since-my-first-encounter-with-Kandinsky's-art-I-was-amazed-by-their-complexity-and-always-wondered-about-the-creative-and-intellectual-mind-which-was-responsible-for-them.pdf2009-02-21 14:13 106K 
[ ]In-the-following-essays-I-am-going-to-analyse-two-paintings-'The-Scream'-(1893)-and-'Evening-on-Karl-Johan'-(1892)-by-Norwegian-Expressionist-artist-Edvard-Munch-(1863-1944).pdf2009-02-21 13:45 110K 
[ ]Lifelong-Customs-Office-to-an-Incredible-Artist-Henri-Rousseau.pdf2009-02-21 13:52 111K 
[ ]What-do-Victorian-paintings-of-religious-subjects-and-themes-reveal-about-Victorian-attitudes-and-values.pdf2009-02-21 20:14 117K 
[ ]Cubism.pdf2009-02-21 13:25 122K 
[ ]Critical-Analysis-on-The-Scream.pdf2009-02-21 13:24 124K 
[ ]Dondi-was-a-well-rounded-writer-covering-all-bases;-bombing-whole-cars-and-wildstyle.-He-achieved-global-popularity-for-his-straight-letter-top-to-bottoms-via-the-media-in-publications-such-as-Subway-Art.pdf2009-02-21 13:31 126K 
[ ]Contrast-the-priorities-of-the-northern-and-southern-Renaissance.pdf2009-02-21 13:22 127K 
[ ]In-my-opinion-is-Friedrich's-view-consistent-with-Rousseau's-ideas-from-The-Social-Contract.-Question-two-considers-what-evidence-there-is-in-David's-paintings-to-show-whether-he-would-have-agreed-with-Friedrich's-statement.pdf2009-02-21 13:45 130K 
[ ]Art-Critical-Review.pdf2009-02-21 10:14 131K 
[ ]What-makes-painting-modern.pdf2009-02-21 20:16 134K 
[ ]Are-there-any-fundamental-differences-between-photographic-and-painted-portraiture.pdf2009-02-21 13:09 135K 
[ ]Provide-a-brief-description-of-the-stylistic-attributes-and-conceptual-principles-of-surrealism.pdf2009-02-21 14:04 136K 
[ ]Artist-research-into-Raphaelle-peale's-'Venus-rising-from-the-sea'.pdf2009-02-21 10:15 141K 
[ ]Walt-Disney-Report.pdf2009-02-21 20:11 146K 
[ ]RELIGIOUS-EXPERIENCE-AND-THE-ART-OF-EL-GRECO-AND-STANLEY-SPENCER.pdf2009-02-21 14:05 147K 
[ ]Romanticism-v-realism.pdf2009-02-21 14:11 148K 
[ ]Pablo-Ruiz-Picasso-painted-the-'Guernica'-in-1934.pdf2009-02-21 13:57 149K 
[ ]J.M.W-Turner.pdf2009-02-21 10:23 151K 
[ ]Essay-on-Automat-by-Edward-Hopper.pdf2009-02-21 10:20 160K 
[ ]An-Analysis-of-‘Boy’s-Head’.pdf2009-02-21 13:05 170K 
[ ]What-is-good-about-the-d'Offay-exhibition.pdf2009-02-21 20:15 179K 
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